oil on cotton
25 x 20cm
£230
The Seafarers, 2025
oil on linen
80 x 42cm
£1,510
oil on linen
45 x 35cm
£710
oil on linen
50 x 40cm
£900
oil on linen
40 x 30cm
£540
oil on linen
45 x 45cm
oil on linen
35 x 55cm
oil on linen
80 x 100cm
oil on linen
85 x 35cm
£1,340
oil on linen
42 x 30cm
£570
oil on linen
40 x 30cm
£540
oil on linen
26 x 18cm
£220
oil on linen
26 x 18cm
£220
oil on wood
27 x 16cm
£220
oil on canvas
108 x 126cm
oil on linen
220 x 142cm
oil on canvas
40 x 60cm
£1,080
oil on canvas
84 x 84cm
oil on canvas
110 x 42cm
oil on canvas
27 x 22cm
oil on canvas
180 x 127cm
oil on canvas
27 x 21cm
oil on canvas
50 x 40cm
oil on canvas
90 x 50cm
oil on canvas
20 x 20cm
£220
oil on canvas
16 x 27cm
£220
oil on canvas
150 x 230cm
oil on canvas
119 x 156cm
oil on canvas
35 x 35cm
oil on canvas
97 x 147cm
oil on canvas
90 x 50cm
oil on canvas
120 x 140cm
oil on linen
20 x 20cm
oil on canvas
39 x 28cm
oil on canvas
36 x 28cm
oil on canvas
35 x 28cm
oil on canvas
30 x 24cm
oil on canvas
24 x 22cm
oil on linen
100 x 160cm
oil on linen
50 x 40cm
oil on linen
40 x 50cm
oil on linen
26 x 18cm
£220
oil on linen
28 x 25cm
£320
oil on linen
30 x 24cm
£320
oil on linen
26 x 18cm
£270
oil on linen
20 x 20cm
£220
b. 1996
Birmingham, United Kingdom
Based in London
Email: gougeon.augustin@gmail.com
Instagram: @augustin_gougeon
Statement
My recent paintings imagine small, self-contained worlds where figures operate within their surroundings through simple, almost ritual actions. These scenes hover between what came before and what might remain.
Their high-key, synthetic colour, from citrus yellows and chemical greens to electric pinks, developed out of earlier work where I used flat grids, bright blocks and artificial palettes to reduce images to their basic structures. Those early paintings worked almost like diagrams, schematic spaces without narrative, representing a world distilled to essentials.
The current work grows directly from that language. The game-board quality of the grids becomes the stage on which the new figures move, and the digital, plastic colours shift from background experiment to atmosphere. What was once abstract becomes a setting, a nascent terrain built for a single gesture or moment of attention.
I am interested in how humans first grasped the material world: the beginnings of tools, craft, navigation and wonder. These origins are not reconstructed histories but moments held at the threshold of meaning, where a gesture meets matter and a sense of the world begins to form.
Selected Exhibitions
2025 — West London Free School Alumni Exhibition 2025: Championing Creativity, Riverside Studios, London, UK
2025 — BODYSPACES 2025, ELEMENTS Contemporary Art Space, London, UK
2020 — Prix Hélène Linossier, Lyon, France
2020 — MFA Degree Show, École Nationale Supérieure des Beaux-Arts de Lyon, France
2019 — Lézard Demain, Atelier Zaï, Lyon, France
2018 — DNA Degree Show, École Nationale Supérieure des Beaux-Arts de Lyon, France
Education
2020
Master of Fine Arts, École Nationale Supérieure des Beaux‑Arts de Lyon, France
2018
Bachelor of Fine Arts, École Nationale Supérieure des Beaux‑Arts de Lyon, France
2015
Foundation at École des Beaux‑Arts du Genevois, Annemasse, France